19 de abril de 2008

NOTÍCIAS DO GUARDIAN


A libretto of one's own

Female opera composers are still a tiny minority. The world's best, including Finland's Kaija Saariaho, talk to John O'Mahony Audio: Kaija Saariaho talks about her work

Cinema's poet of silence switches to opera with Mozart debut at ENOKiarostami among big-name directors as company plans 10 new productions Critic's view: a startling choice

The beast withinHairy chords, blood smoothies, and 'a bit of Boris' - Sir Harrison Birtwistle talks to Tom Service about his new opera, The Minotaur Review: The Minotaur



A libretto of one's ownFemale opera composers are still a tiny minority. The world's best, including Finland's Kaija Saariaho, talk to John O'Mahony Audio: Kaija Saariaho talks about her work

Cinema's poet of silence switches to opera with Mozart debut at ENOKiarostami among big-name directors as company plans 10 new productions Critic's view: a startling choice



The beast withinHairy chords, blood smoothies, and 'a bit of Boris' - Sir Harrison Birtwistle talks to Tom Service about his new opera, The Minotaur Review: The Minotaur

Interviews
'I love it when music brings people to blows'Osvaldo Golijov has been called the saviour of classical music, but detractors say his eclecticism is a disaster. Laura Barnett meets the composer
Tough customerPiotr Anderszewski has walked out of competitions, and started recitals over. Andrew Clements asks the pianist why he's so hard on himself
Living on Borodin timeThey astounded Shostakovich, outwitted the Soviet authorities and wowed the western world. Erica Jeal meets the Borodin Quartet, Russia's most eminent string quartet
Beethoven and the BronxGrowing up in New York, pianist Richard Goode was fired by a passion for music. So why was he so reluctant to become a solo star, asks Andrew Clements
The Russian bombshellVasily Petrenko - young, ambitious and hugely talented - looks set to be one of the stars of Liverpool 08. Tim Ashley meets the conductor electrifying the RLPO
Meet Daniel Barenboim, pianistPortrait of the artist: 'The low point? Every concert where I've played a fistful of wrong notes'

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