Before Freud, Bluebeard was a fairytale monster with a pleasantly chilling tendency toward murder. After Freud, Bluebeard's libido became a subject for reexamination. The late composer Bela Bartok and Librettist Bela Balasz were quick to see the possibilities, in 1911 put the theory into the form of a one-act opera, Bluebeard's Castle. It was staged for the first time in the U.S. last week by the New York City Opera.
Leia o artigo em TIME
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